The Official Wii and Wii U Gaming Thread

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Re: The Official Wii and Wii U Gaming Thread

Post by LoveSlug on Tue Aug 09, 2016 9:41 pm

Everyone should own a Wii U so that they can play Super Mario Maker, it's literally the best game of this generation.


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Re: The Official Wii and Wii U Gaming Thread

Post by Lord Spencer on Mon Aug 29, 2016 3:25 pm


Game: The Last Story.
Year: 2012.
Genre: RPG.
Publisher: Nintendo, Xseed.
Developer: Mistwalker.

First things first, I am changing my rating system to better rate different genres according to their own rules. It will still be from 50 quality points, but every title will start from 25 and earn/lose points according to criteria important to the titles and genres themselves.

Few games had as much controversy getting released as the Last Story. Fully localized in English for release in Europe, NoA did not see value in publishing it in North America. This was one of the three titles featured in Operation Rainfall which pressured Nintendo in releasing games in North America.

Basically, this was a JRPG game coming in a time when JRPGs severely declined in North America. A time different than the revival we see today. It was made by THE JRPG visionary, Hironobu Sakaguchi (creator of Final Fantasy), and probably was thought be Nintendo to be a failed prospect considering its European sales.

XSeed ultimately picked up Publishing duties, and it managed to become XSeed's highest selling game, selling twice as many copies in NA than in Japan.

"Balancing on the edge of a knife, that's how we lived our lives"

The Last Story, suspiciously similarly named to the Final Fantasy series, is similarly placed in trying to convey a unique story in familiar JRPG setting. Here is where we find the game's strengths and weaknesses in its storytelling.

First, the story suffers greatly from the weakness of their central characters. Zael is your typical JRPG hero, and is in the same vain as those other blonde Final fantasy protagonists you feel you have seen a hundred times. Calista might as well be Yuna or whatshername in FF8. So getting into the game, expect to dislike the leads, but don't expect that they will destroy the game's story.

That's mainly due to a good supporting cast, that despite conforming to some popular tropes, still manage to be charming. Anyone of them would have been a better Main Character than bloody Zael.

In summary, the story follows Zael and a band of mercenaries run by the charismatic Dagran as they attempt to get ahead in life. The world is in constant turmoil, with the dying land causing several factions to fight against each other for resources. They go to Lazulis Island, where it somewhat escaped the scourge of the land. In the background, there is an ancient war with a different species, the Gurak.

It's not a unique story, and there are many ways where it could have been better focused. There are cliched one dimensional villains, ancient mysterious powers, and a bland chosen hero. All staples in the JRPG genre. However, the sum is greater than the sum of its part.

There are elements that could have been explored better, like Dagran's social climbing, and the true nature of nobility, but it all is done in a good enough way.

Good Story Despite the cliches: +3
Good Characters: +3
Poor Main Characters: -3

"If I get killed cos' I'm too hungry and weak to fight, then don't blame me"

Initially, the battle gameplay in The Last Story doesn't seem to have much actual player interaction. You can simply walk around as Zael auto-attacks, and your party decimates the enemy. Occasionally, you can go into 3rd-person view, and shoot some arrows like in a very limited shooter.

You will mostly get this impression if you make the mistake of playing in "Normal" mode. Immediately when you start the game, switch to "Manual" mode and never look back. I am not even going to consider "Normal" mode beyond these two paragraphs.

In "Manual" mode, you control Zael as you move  around the battlefield in real time. You can attack enemies at will, but you have a limited combo and your attack power isn't too much, especially since enemies will guard your attacks once the first combo is over. This means that if you go head on and try to bash an enemy to death, it will be a long time until they actually die.

The battle system actually demands more attention from the player. Zael must take cover, try and switch between enemies, chain attacks with his teammates, take advantage of items and magical circles on the ground, and occasionally uses his arrows to shoot down enemy snipers and mages.

However, you are not responsible only for dishing out damage yourself. While the friendly AI is pretty good at dishing out some damage, they require your help to be most effective. For instance, the health of each character is divided into 5 health bars, and once one is depleted a "life" is out. Only you can revive them quickly enough, or else they take a while (once all their lives are out they cannot be revived).

Mostly, you play the general and the decoy. By attracting enemies towards you, you can free your mages to use their magic and take the pressure from your bruisers. Also, you can specify orders and generally choose what your allies do (in a limited fashion).

It can be overwhelming, but the game does an excellent job at introducing new mechanics with short tutorials and a constant pace. Well into the half-point, the game introduces something to shake things up.

Boss battles shake things up considerably; rarely are they straightforward affairs. Mostly, each boss have a specific weakness that must be triggered. This requires more direction from Zael, and usually a smart utilization of your powers.

Its a unique battle-system that always keeps the player engaged. In may ways, I feel it could be expanded upon and improved, but I like it a lot as it is. Yet, I feel the game's battles never give it its due. There are few enemy types, and rarely is the game challenging enough to warrant a full investigation of how you can best use the system.

Great Gameplay: +5
Sometimes too Confusing: -1
Does not Reach its Full Potential: -2

"Well, well. The human from the castle, blessed with bravery, guts, and stupidity"

I don't think its hyperbole to call Lazulis Island one of the best designed cities in RPG history. Its vibrant streets, busy townsfolk, bustling energy, and all those tight organic hallways, all combine to make a very believable city.

Here is, finally, a place where I can believe a hundred thousand people can live. Sure, I only see place for about a thousand or so, but I can also see houses in the background, and what I see here favors the illusion of a bigger city.

Walking around the city is going to be a huge deal in the game. The game doesn't have many side-quests (they are actually never tracked), but you will need to walk the streets of Lazulis Island and interact with its citizens to find what few there are.

You can also go to market and play as a merchant, or just simply walk around looking for random trinkets. The game rewards you simply for walking around, as you see limitless items that help upgrade your gear.

Unfortunately, the same level of care has not been carried over in designing the rest of the game's areas. I am not talking about the lack of other cities, which might be a problem for a few, but about the limited dungeons.

In fact, one dungeon repeats itself in a different fashion nearly three times. Sure, they look organic enough, but they are nearly all straight hallways and battle rooms.

One exception is in a very cool side-mission set in a haunted mansion. Like other parts of the game, this side-quest could have been much better, but it still showcased a different dungeon design than what we see most of the game.

Great City: +5
Limited Dungeons: -2

"For the brighter the light, the greater the shadow it casts"

It's obvious that the game tried to tax the Wii to its limits. The Lazulis city-space itself caused some noticeable frame-drops, not to mention in battles where too many things happen at once.  I won't give credit for that technical achievement, but I will give credit for that technical achievement actually producing something of note.  

Graphically, the game's art design is very fantasy focused, but it also showcases the same over-design mentality that plagues Square-Enix. Whatever the hell Dagran looks like, I won't understand. This over-design actually leads to some memorable enemy shapes, as well as some good outfits and motif. In this game, I wasn't overly turned off by it.

Characters look good, like an early PS3 game, but with derpier faces (if you allow me to use that word). In fact, they all look good with the exception of Zael (you can tell I don't like the guy).

From far away, everything looks great, with the distance filter covering up for all the graphical flaws. Its only when you get close that the muddy graphics start showing the lack of texture detail.

As for the game's audio, I cannot complain about the Voice Acting. Since this was first localized in Europe, the English VAs used an all UK cast, and it fits really well with the game's setting. Dagran, Yurick, Syrenne, and Lowell perform admirably. Their jokes don't fall flat, and their banter and dialogue is believable. Mirania's VA doesn't hit those highs.

As for the two Main Characters, I cannot blame the VAs as much as I blame the script. I simply think all the awkwardness in their delivery is related to the inherent awkwardness of poorly written cliched dialogue.

The soundtrack is another one of those good, if not great, Nobuo Uematsu soundtracks. Aside from the very good main theme, and a couple of great tunes, the game's soundtrack is simply good. It doesn't reach the heights set by Uematsu himself, but it rarely falters either.

In many ways, its like the game itself.

Good Enemy Design: +2
Good Soundtrack: +3
Good VA: +3
Good Central Graphics: +3
Muddy Background Details: -2
Frame-Rate Issues: -2

In Conclusion:

The Last Story might not be the best JRPG of last generation, ore even the Wii. It might not even be in the conversation of being among the best. Yet, looking at it from afar, you can see that it did have all the elements needed to be among the best, but the final product is a bit lacking.

Still, it doesn't go all south, as the game manages to be particularly good in most of its length, and even amazing at times.

It is this flirting with greatness that attracted people to fight for it in Operation Rainfall. It was its failure to reach its promise that alienated some of those that fought for it; an anti-hype reaction of you will. Which is a shame, because the end product is still worth the time, and even worth the effort it took to bring it West.

Final: 40/50


1- Change Battle command to Manual.
2- Seriously follow tip 1.
3- Look around the city for items and stuff.
4- Don't forget to upgrade your equipment.
5- Listen closely while walking around, it might give you hints about some side-quests.
6- Try and get a hang of the Trade Market, its the best source of income.
7- Don't rush into battle, your primary job is to manage your team.

"Next Game"

I really liked The Last Story despite its flaws. It managed to grab my attention even after all the cringing the beginning hours had me in. I even began to like the cast (except Zael). Its too bad it didn't turn out greater than it was, but it was still good.

Next game in the list at #25 is the Wii release of one of the best Rail Shooters around, House of the Dead: Overkill. This won't be be the last Rail Shooter in this list, you can count on that.

Stay Tuned
Lord Spencer
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Re: The Official Wii and Wii U Gaming Thread

Post by Lord Awesome on Wed Sep 21, 2016 6:23 am

Oh man. Loved this game. The Soundtrack is amazing .Though I still was irked when I heard those screeches in the Final Battle theme (Title is: The One Who Rules All). Still tho amazing battle music and main themes. My favorite tracks are all of Jirall's themes.

Loved the story as well. Grinding isn't as hard and time consuming. Wish JRPG'S would follow this example more often. Less grind more plot.

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Re: The Official Wii and Wii U Gaming Thread

Post by Lord Spencer on Fri Sep 23, 2016 9:16 am

@Lord Awesome wrote:Oh man. Loved this game. The Soundtrack is amazing .Though I still was irked when I heard those screeches in the Final Battle theme (Title is: The One Who Rules All). Still tho amazing battle music and main themes. My favorite tracks are all of Jirall's themes.

Loved the story as well. Grinding isn't as hard and time consuming. Wish JRPG'S would follow this example more often. Less grind more plot.

I hated that final battle music. Uematsu's pedigree is much higher than that nonsense.

As for the lack of grinding, that might actually be taken as a negative by some JRPG fans. In Destructoid, I have seen a lot of people that like "healthy grinding", as it encourages them to experiment with the battle system and just relieve some stress.

Personally, I think there is a place for both kind of games. But I dislike very grind heavy games.
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Re: The Official Wii and Wii U Gaming Thread

Post by Lord Spencer on Wed Sep 28, 2016 5:57 pm


Game: Punch-Out!!.
Year: 2009.
Genre: Puzzle, Fighting.
Publisher: Nintendo.
Developer: Next Level Games.

First things first, I am changing my rating system to better rate different genres according to their own rules. It will still be from 50 quality points, but every title will start from 25 and earn/lose points according to criteria important to the titles and genres themselves.

In a time that games were becoming more complex, and every other game seemed to have some RPG elements strewn in, an exact replica of a 20 year old game sounded like a bad idea. Making a Punch-Out!! game that does very little to update the decades old formula could have failed.

Yet, it is a testament to the work of Next Level games, and the great quality and originality of the Punch-Out!! formula that it manages to be so entertaining.

"Now kid. It's time to show the world that you got what it takes to be a champ"

Like Super Punch-Out before it, Punch-Out Wii is simply a remake of the original NES game. Coached by the ever expanding Doc Louis, Little Mac goes on a quest to get the World Boxing championship belt.

Except, this is an obviously disorganized championship. If not, how can you explain the great disparity in Weight classes, illegal moves, and all around ridiculous behavior going in the ring. To get that belt, Little Mac must fight his way through 13 varied characters, of which only one is probably in his weight class.

The game is not really about Little Mac though. He is simply a suitable avatar that allows you to face off against the real stars of the show. Each of the 13 characters you face is larger than life. Ranging from the Over-the-top to the ridiculous, these fighters say it all in the way they move, the way they talk, and the way they fight.

Glass Joe's prime weakness is obvious from his jittery form and his obvious high guard. It tells you of the shame and tension he must face, having only won once in the ring. Super Macho Man in contrast oozes confidence, with his oily body literally taunting you with his every move.

12 of these characters are simple updates of their NES and SNES versions. Which has great nostalgic value, but its and unfortunate lost opportunity. I say that because the new addition, Disco Kid, is just very well-done, and fits in with the crazy cast with his Disco movements and Disco smile. It makes me want to see more of Next Level's ideas.

Great Characters: +5

"It takes two to flamenco baby!"

The only update to the Punch-Out gameplay formula is adding two optional control schemes. Both use some form of motion control, and they are not as good as the traditional control method, especially given the degree of precision needed in this game.

Basically, you can choose between right and left punches, and you can direct them high or low. To evade opponent's attacks, just pick the appropriate directional input. These are all the limited inputs you need.

It's simply not a real boxing game. Its a tactical match, based on identifying opponent tells, anticipating their attack, dancing around them, and going back to punish their opening. In that way, it has the spirit of boxing, if not the mechanics.

Matches are designed to be lost, because that's a learning opportunity. You must learn what each enemy vocal and visual cue means, so that you can counter or evade. There isn't really any game like it. More a puzzle game than a fighting game, it still needs split second reflexes and serious memorization to excel.

Unique Engagingly Game play: +5
Can be Unforgivingly Difficult: -2

"Hard work pays off kid, and there ain't no harder worker than you"

Since this is more like a puzzle game, each match is more or less permanently solved once you figure out how to beat you opponent. While there are special challenges to prove your mastery, and there is always a better record to break, the game does seem to consist of only 13 fights.

Of course, that doesn't mean you are going to finish this quickly. While these 13 fights can technically be completed in under an hour, the average player would probably spend more time getting their face punched out than the other way around.

Except, the game doesn't end when you get the championship belt. That's when the second half starts.

Each of the 13 fighters now want to get a chance at that belt, and they have trained for it. In Title Defense mode, its the 13 fights again, but an already difficult game just become more difficult. Even Glass Joe himself has a chance to beat you now.

It adds another dimension to the characters as well. Their frustration at being beaten against the odds, and how they changed their style to beat you. Glass Joe wears a head guard now, and King Hippo duct tape a manhole cover over his belly button.

The game didn't need Title Defense mode, but its inclusion cements it as the best Punch-Out for me. Not only because it increased the length of the game, but because it forced you to re-work how you defeated those fighters before.

Title Defense Mode: +3

"Tell your face to leave my fists alone"

Since Next Level Games did not update the mechanics of the game, nor did they add much to it besides Title Defense mode, transferring the game to the Wii was all about the graphics.

To showcase the crazy character of the cast, nothing other than the cell-shaded style used in the game could have worked. It allowed the devs to make a cartoonish and highly expressive style that wonderfully translated the NES and SNES sprites into full fledged 3D models.

Seriously, the graphics look great on those characters. Obviously, with no need to work on backgrounds, effects, buildings, or really anything but these 13 characters, Next Level Games managed to craft them to the tiniest of details. This also supports the gameplay, since clear visual cues are part of the game.

Audio cues are important as well. On the Wii, this allowed the devs to have full VA for the boxers. There isn't any dialogue though, they just trash talk, taunt, and express delight at defeating you, or dismay at losing. In an excellent touch, each fighter talks in their native tongue. We might not understand half of what they are saying, but that ads to their crazy character, even if its not as funny as Piston Honda muttering random Japanese cultural items before the fight.

Other than the sounds, we get a pretty good soundtrack, with a theme for each fighter. These are all good tunes, updated from the originals and with a little more flourish.

Great Graphics and Character Design: +5
Very Good Sound and Music: +4

In Conclusion:

Punch-Out!! on the Wii, like Super Punch-Out!!, is not one of the best games in the system. There are games that are more expansive, more varied, and simply larger in scope. Punch-Out is too limited to ever be seriously considered among the best games of the generation.

Yet, it does what it does very well, almost perfecting its unique gameplay. In doing that, it is also presenting a great cast of crazy character, in such funny and well realized artistic style. Punch-Out is a game that doesn't aim to be anything but a game, and that is super fine.

Final: 45/50


1- Observe what your opponent is doing, and learn what each tell means.
2- Sometimes, the enemy repeat their patterns, this means you should prepare a patters to your counters.
3- The most efficient strategy is to counter punch the enemy's attack's, you stop them and get a star point.
4- Star punches are the best way to get a KO.
5- When the opponent is down, mash the 1 and 2 buttons to recover some health.
6- If you get TKOs, you might be able to recover if you mash the 1 and 2 buttons (once per match).
7- Between rounds, press the (-) button to recover some health (once per match).

"Next Game"

Like with Super Punch-Out!!, I don't think this game will be in my top 10 games for the Wii. Ironically, it might score more than a couple of games in that list in my own rating scale. That's because Punch-Out!! is such a unique series that does what it does to perfection, even if what it does is somewhat limited in scope.

Next game, at #20, is a game that is anything but limited in scope, Red Steel 2 tries to use the Motion Control of the Wii to do a hundred things at once. While the original Red Steel game failed because of that, the sequel apparently succeeds.

Stay Tuned
Lord Spencer
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Re: The Official Wii and Wii U Gaming Thread

Post by Lord Spencer on Fri Mar 03, 2017 6:35 am


Game: Red Steel 2.
Year: 2010.
Genre: FPS Action.
Publisher: Ubisoft.
Developer: Ubisoft.

First things first, I am changing my rating system to better rate different genres according to their own rules. It will still be from 50 quality points, but every title will start from 25 and earn/lose points according to criteria important to the titles and genres themselves.

With the launch of the Wii, one of the most obvious possible application of the Wiimote motion was as a method to support more immersive swordplay. Another aspect was the pointing capability which brought us back to the IR shooting cabin days.

Ubisoft decided to combine both aspects in making the first Red Steel game. Which, even though it had a lot of promise, have failed miserably as a game.

Red Steel 2 is Ubisoft making amends to that initial promise, and succeeding.

"Outcast or not, you are still Kusagari"

The game's main catch is its combination of Sword fighting and gunplay, in some way combining the FPS genre with some First Person action as well.

It is then fitting that sets place in two asynchronous settings. The Katana comes in from its Japanese Samurai influence, while the revolver is an obvious Wild West trope. In essence ,the game's settings is a marriage of the Edo era Samurai dramas with the Wild West.

Anyone familiar with the history of spaghetti westerns would know that this mix fits in very well with that genre. The first spaghetti westerns, such as A Fistful of Dollars, were adaptations of Japanese ronin films such as Yojimbo.

Outside of its interesting setting, the game's plot is a rudimentary revenge tale with no narrative power whatsoever. Almost all the characters you meet are reused cliches that are not even able to be cool despite decades worth of material to be inspired by.

This is most represented by the player character, the "Swordslinger", who could have been an interesting substitute for the "Man with No Name". Yet, for some reason, the character was not consistent, and is silent most of the game, but speaks enough lines that his silence becomes more jarring and unnatural. Either speak normally or stay silent all the time damn it.

Great Setting: +5
Weak Characters and Plot: -3

"I am going to cut your throat with your own katana. Ain't that poetic"

If you are not interested in motion control combat, or not willing at all to give such gameplay a chance, then this game is simply not for you, regardless of how much you like its other elements.

Red Steel 2 makes excellent use of the Wii's motion capabilities, and perhaps crafts as good a game as it can mechanically offer. This means that the game utilizes all the special qualities of motion control, but it does not mean that it removes all of its inherent problems.

Let's start with the negatives. First, there are the usual hardware related issues. Sometimes, the Wiimote loses calibration, both for motion control and for IR pointing. It didn't happen frequently here, but it was enough to irritate in such a title requiring constant motion controls. Another issue is related to physical fatigue, specifically when over-committing in the required motions.

Both issues do affect your enjoyment, but they are not frequent enough to overshadow what is a unique and engrossing gameplay system.

As you can imagine, Swordplay is handled through motions, and gunplay through IR pointing. Because of using motion control, switching from both is natural with your own motions, and mixing and matching can frequently be utilized depending on the situation.

Sword play requires specific diagonal moves, but that's not it. Through button combinations, special moves are executed. Through an evade button, the game solves how to move around in a comprehensive fashion.

Most of all, you will want to master the combat, simply because it looks cool, and you do feel like a "swordslinger" badass.

Unique and Engaging Game play: +5
Fulfills the Promise of Motion Controls: +4 [/i
[i]The Usual Technical Difficulties: -2

"It's about time you came to help. I am down to three bullets"

To move the player from one fight to another, the game is divided into two level structures. Some levels act such as an open hubs, with missions guiding the player from on objective to another. Other levels are like mini-linear dungeons, culminating in usually a single objective.

All that really does is move the player from point A to B, fighting enemies in the way.

Some missions ask you to find or destroy "collectibles" in the game-world, and before it was vogue, some missions consisted of hacking communication towers. It is a weak mission structure, that frankly neither helps nor hinders the game.

Since combat is its strongest suite, there is no real reason to provide a litany of objectives just for the sake of it.

Battles encourage experimentation to get a better score, which gives in more gold. The gold can be used to upgrade your stuff, which can then be used to kill more enemies and get more gold. It is a basic feedback loop that does the job, and is extra rewarding because of how fun it is to see all that gold literally fly into your pocket.

Boring Mission Structure: -2
Gold Feedback Loop: +3

"Good, then we are all safe. I will become a gardener"

In a further step-away from the first Red Steel game, Ubisoft decided to forgo the "realistic" style in favor of a cell-shaded look that manages to give the game a graphic novel look. Seriously, it looks like the characters, enemies, and the entire environment stepped out from some comic book.

I already mentioned how the juxtaposition of the Wild West and Samurai setting work thematically. However, that is mostly due to how great they look graphically. Seeing the classic Pagoda roof against dusty canyons is great, especially with how the cell-shading manages to contrast the two.

Characters are the same, with unrealistic proportion, but undoubtedly cool designs. So cool, that in the introduction of each new enemy, Ubisoft knowingly introduces them with their meticulously designed 2D Art, and yet you are not disappointed when you see them in the game.

As for the VA for these characters, it runs the gambit from somewhat bad, to somewhat decent. A missed opportunity originating from the predictable story and characters, and not the Voice Actors themselves.

In sound production, the game offers a thematically suitable sound, with both Japanese and Western influences. A soundtrack combining some Ennio Morricone influence with Masaru Sato's work on Yojimbo, without even approaching their brilliance though.

While the soundtrack is thematic, it is too muted, and never prominent enough to stand out.

Great Graphics and Character Design: +5
Good Sound and Music: +3

In Conclusion:

Red Steel 2 is the rare game that could have never conceivably happened in something other than the Wii. By showcasing the freedoms and advantages of motion control, all encompassed in a single attractive package that is actually a game, and not a tech demo, Ubisoft made a good case for Motion Control to still be utilized in mainstream gaming.

Unfortunately, despite its critical and user reception, the game has failed to meet its modest target. In a way, it was Red Steel 2 that proved how gamers probably don't want to give motion controls a chance, regardless of how good the actual product is.

Final: 43/50


1- Learn early what position is more comfortable to play at. You will need some space to move your arm, so lying down would not work.
2- Break all boxes you see, it gives you money and its fun.
3- Enemies can guard your attack effectively, so attack from the angle they are not guarding.
4- Guns alone are not an effective tool, so regularly use your melee attacks.
5- Try and do the optional missions, since they do give a lot of cash.

"Next Game"

Red Steel 2 might be the best actual game to showcase the Wiis Motion Control capabilities and promise, along with Skyward Sword of course. And its failure, despite its brilliance, is proof positive that Motion gaming simply did not catch up with the cor audience.

Next game, at #17 is the cute platformer about A Boy and his Blob, which is actually the title of the game. It seems to be another of those cute games that can only be conceived for Nintendo consoles.

Stay Tuned

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Re: The Official Wii and Wii U Gaming Thread

Post by Lord Spencer on Fri May 19, 2017 4:50 pm


Game: A Boy and his Blob
Year: 2009.
Genre: Puzzle Platformer.
Publisher: Majesco Entertainment.
Developer: WayForward Technologies.

First things first, I am changing my rating system to better rate different genres according to their own rules. It will still be from 50 quality points, but every title will start from 25 and earn/lose points according to criteria important to the titles and genres themselves.

A Boy and his Blob is exactly the game the Wii was made for. I do not mean a game that was is only possible by using Motion Control, but a game that did not need the extra processing power of the PS360 consoles.

A simple, mid-budget game, that manages to look great and play well on a weaker console. Even if a lack of ambition is a little bit detrimental to the final product, as in this case.

"One day, an Earth boy came to save Blobalonia"

Apparently, this game is actually a remake of a NES classic. Looking back at that game, I am actually surprised at the mileage the original game manged to get out of the NES. No similar technical effort is attempted this time.

As you can gather from the title, the game is about a boy and his blob, which is a sentient blob-like being (hence the name) that can transform into many shapes. There is an overarching story to the game about an evil blob king's attempt to control Blobalonia. However, outside of the game's manual, the opening movie, and one bonus art work, it is never alluded to in the game.

That's because the developers made a conscious decision of limiting all story and writing from the game. Simply put, you start the game in the Boy's bed, get introduced to Blob, and finish the game without a single word of instructions or dialogue.

Obviously, the developers wanted to build an emotional connection between the boy and his blob. This is the only reason they actually put in a dedicated hug button, at which the boy will hug the blob in a charming and endearing animation.

Unfortunately, they do not exactly pull it off, mostly because they never introduce the danger in any effective way. Earlier appearances of the evil blob king would have been effective.

That is not to say that the partnership is not charming. Simply, that it is obvious the developers wanted to build a Pixar level connection between the two, and they fell short in that goal.

A Dedicated Hug Button: +2
No Narrative Pull Whatsoever: -3


The boy is brave and resourceful, but he is still a 6 year old boy. As such, he has a low jump, cannot fight any small danger, and cannot swim. These are all obstacles the player must puzzle out by the help of blob.

Equipped with a bag of infinite jellybeans, the boy can help blob transform into a variety of objects to solve puzzles. These transformations are the core mechanic of the game, and their variety is what sets it out to be a great Puzzle Platformer.

Usually, there isn't a single transformation that solves each puzzle. The catch is in figuring out which combination of transformations are needed, and in exactly how to use them.

Let us explore a couple of transformations; there are 15 in total.

The anvil allows the boy to have a foothold to jump into higher platforms, but it can also squish enemies, as well as serve as platforms to travel on the heads of larger threats. Trampolines and ladders can be used to reach higher ground, but are used in different ways.Then there are the more action focused transformations like the rocket and the hamster ball. Using both changes the game to a higher gear.

The regular game consists of 38 levels, each containing 3 treasure chests. Getting the treasure chests require more puzzle solving than simply finishing the game, and once collecting all three, you open up challenge levels.

Challenge levels are more difficult, and usually focus on one or two transformations only. Also, they are more fun, as they take more risks with the puzzles, and the extra challenge makes finishing them more rewarding.

At the end, the game felt like a slog. Especially since there are simply too many load screens, and they take some time. Once stages become longer, the puzzles seem less fresh, and the originality of the transformations erode.

Rarely do I say so, but this is one game that could have benefited from a cut in the number of stages.

Fun and Original Puzzle Gameplay: +5
Fun Challenge Levels: +4
Too Long with Too Long Loading Times: -3


One thing that cannot be discounted about the game, is how great it looks. WayForward are well respected for their 2D art ability, and it certainly shows here.

Not only are the character design cute and endearing, their animation is spot on. The boy's movement are clumsy for instance, exactly how a 6 year old boy would walk. The blob in the other hand is amorphous, yet his transformation all somehow retain the same mass as the original.

There there are the excellent backgrounds, which showcase a level of detail that was not possible before. Even in backgrounds that are rarely used.

While the same cannot be said of the music, it certainly sounds nice, and it does the job. It is suitably relaxing in the first stages, but escalates in challenge levels, as well as when the boy and his blob travel to more distant locations.

WayForward knows how to design a 2D game, and along with their Shantae series, this is one of their best looking games, and one of their best productions.

Excellent Graphics and Animation: +5
Good Music: +2

In Conclusion:

It's easy to criticize A Boy and hid Blob for what it could have done better. There are multiple areas for improvement, especially regarding its narrative (or lack thereof) and how long it felt.

Yet, we cannot ignore the fact that it is more than a competent puzzle platformer. It is a charming game, that manages to be smart at times, as well as true challenge. More often than not, it is fun to play, and that's what matters most.

Final: 37/50


1- Spread out your playing to time to avoid fatigue.
2- You won't always need all the transformations given at a stage.
3- Call Blob three times to summon him if he is far away or behind passable obstacles.

"Next Game"

In theory, A Boy and His Blob could have been made on any platform. However, it fits right in the Wii's library.

Next game to be reviewed is one I actually missed. At #22, Rhythm Heaven Fever is that crazy Nintendo game with all the crazy Rhythm-based mini-games. This would be my first try at the series, and I don't know exactly what to expect.

Stay Tuned
Lord Spencer
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Re: The Official Wii and Wii U Gaming Thread

Post by Lord Spencer on Sun Sep 03, 2017 1:59 pm


Game: Silent Hill: Shattered Memories
Year: 2009.
Genre: Horror, Adventure.
Publisher: Climax Studios.
Developer: Konami.

First things first, I am changing my rating system to better rate different genres according to their own rules. It will still be from 50 quality points, but every title will start from 25 and earn/lose points according to criteria important to the titles and genres themselves.

The Silent Hill franchise is one that Konami thought they had figured out, abruptly realized that they didn't, and then subsequently fired in all directions. The fourth game was, in my opinion, unfairly criticized. Apparently, that scared Konami into both changing directions and going doubling down at the same time.

After two duds (three if you are unfairly counting Silent Hill 4), few had high hopes for Shattered Memories.

Yet, the game managed to defy expectations, and was apparently both a commercial and critical success. Sure, it was a very different game compared to the original Survival Horror games in the series, but it was a good game in the end. For me, I saw why it succeeded, but I also could not look past some of its more glaring flaws.

"Whatever ails us, whatever weakness our flesh may suffer under. Our love will cure all ills. Our love will be our rock"

Like with the other Silent Hill games, it is important to note all the details in the story, as the game thrives in being vague, and the player can never be sure what is "reality" and what is not. This game starts with a psychotherapy session, where the world's probably worst psychologist is "analyzing you".

The game claims to be analyzing the player, using their profile to influence the game's world according to their fears. Also, this will have a slight effect on which ending "video" the player gets.

After that first session, the game starts with a car accident. After that accident, you control Harry Mason, who suddenly realizes his daughter is lost after that accident, and as such begins your goal of finding her.

However, nothing is straightforward in the town of Silent Hill. It looks as if everything is engulfed in an eternal blizzard, and the car accident may have disoriented Harry more than he realizes. As you walk through the town and interact with what seems like the only few inhabitants of the town, the game throws narrative curve balls left and right. Between parts of the story, there are more times with the psychologist.

The psychoanalysis sessions are important, and they add to the confusion between reality and insanity.

You, the player, can never be sure what is real and what is not, and this is exactly the disorienting feeling the game wants to convey. At no moment is Shattered Memories a scary game; there is little to no effective horror elements in it. However, it does attempt to have an atmosphere of consistent creepiness. It mostly succeeds.

However, there does seem to be a sense of the game resting on its laurels, and on its atmosphere. While the story is pretty good, and even effectively revealed, it sure seems as if an expert hand is missing in all of this.

Effectively Creepy Atmosphere: +3
Good Story: +3

"I'll get my answers"
"You might not like them"

Immediately, if you are hoping for a survival horror Silent Hill, then you shouldn't expect that from Shattered Memories. This is not Survival Horror game at all. There is none of that genre's elements; the game doesn't even have a fail-state.

It can be considered an adventure horror game. It can even be considered a precursor to all those "Walking Simulator" games but with more interactivity.

The game is divided into two parts. Mostly, you control Harry as you walk around Silent Hill, with no real threat at all. In this "mode", you walk around using the Wii mote top point your flashlight around, solve some minor puzzles, and look for clues. In game, you use a mobile phone as a very effective menu navigation system. You use it to look at recorded clues, check out the map, call numbers you find posted around town, etc.

These clues are basically snippets of life in Silent Hill. SMS messages or Voice recordings, showcasing both the mundane and the disturbing parts of Small Town America.

As for the other "mode", it is where the game becomes threatening. At some points in the story, the world suddenly turns to ice, and Silent Hill releases its nightmares. In this mode, Harry must run to a specific waypoint in a maze like version of the town, running away from the single type enemies (yes, there is only a single enemy type, and no nurses).

Here, the game introduces some type of tension, as the player cannot fight against these enemies, but must run away. Both modes compliment each other, as moments of creepy exploration turns into an adrenaline filled chase scene.

Gameplay is Ok in Theory: +3

"Don't beat yourself over it. Blame the world, blame God, blame me!"

By designing the game for the Wii, Climax Studios made a conscious decision to utilize the system's inherent capabilities.

First, it does that by having the Wii pointer control the game's camera. This works exceptionally well, as the pointing is a natural fit for camera control, and the Wiimote movement simulates the act of actually pointing a flashlight around. As such, exploring the environment becomes a natural movement of the hands, and the tension in controlling the camera while being chased only enhances the experience.

Second, the game attempts to utilize the Wiimote's motion capabilities, and that doesn't go as well. There is a variety of little things to do that are annoying but not game breaking, such as rotating the Wiimote to change a dial in a safe, or move stuff around. However, the game does some serious missteps due to the inherent limitations of motion controls.

When the conclusion of a game changing event is based on controls that work only half of the time, its not tense, but just plain frustrating.

The same is with the "combat" controls during the chase scenes. Theoretically, as enemies grab you, you must jerk the Wiimote in the direction of those enemies to throw them off. Except, that doesn't work all the time. Its simply frustrating when you lose because the controls do not work.

Of course, dying doesn't mean anything, which actually makes things worse. Basically, you are required to repeat these chases over and over, cramping you hands and pulling you shoulder, and there is no tension at all.

Simply put, the game doesn't control as well as it should be. As a result, its "immersive" gameplay breaks immersion more often than not.

Poor Motion Controls: -5
Breaks Immersion Due to Low Tension and Technical Difficulties: -3
Effective Use of the Wiimote's pointing: +3

"Sshh, no more craziness. You're freaking me out"

While the game falters technically in its controls, it does a great job in in the production department.

Silent Hill is at once both a creepy town, and a believable one. An obvious nod to Rust Belt America, this is a dying town that may have once been prosperous because of an abandoned tire factory or something.

Now, its a location of nightmares, where snow replaces the fog effect to create a spooky obscure atmosphere. Sure, its there to hide the technical limitations of the Wii, but higher visuals are not what's going to creep you out.

Nor are the low resolution assets going to do that either. The game's atmosphere is due to the reality of the place, as it is filled with advertisements, graffiti, and other blemishes that you can actually interact with (any phone number you see you can call).

Its presented with solidly built cast of characters, who probably look as good as they can in a Wii game, and their VA is very good as well. While the dialogue can get hammy at time, its mostly solid.

The same goes for the soundtrack, which while nothing special, does hold the atmosphere of the game and adds a level to its creepiness. Its not a game that attempts to amp up the scares and jump at you, nor does it try to keep up a high level of tension throughout. Its simply holding a one note of creepiness throughout, that it simply becomes part of the town's fabric.

Good Graphics and Animation: +3
Effective Build of the Town: +3
All about the Atmosphere: +3

In Conclusion:

Other than through the technical task in creating the game on the Wii, all while having really minimal loading, Shattered Memories never really impressed me.

While the story is pretty good, including an excellent twist at the end, it actually suffers in comparison to the earlier Silent Hill games.

In the other hand, the game's dedication to motion controls definitely backfires, and has soured the experience for me just as I get into the story. Still, I can see a good game here. One that could have even been a great game if it has a master's touch.

Final: 38/50


1- Check your Wiimotes and hope their moton detection isn't faulty.
2- When you walk around and feel the Wiimote vibrating, look around for some clues; the vibration increases as you get closer.
3- Note that what you linger your look at counts towards your profile points, which changes the ending slightly.

"Next Game"

Actually, I was supposed to go back and play Rhythm Heaven Fever at #22 instead of playing this game. However, I realized that I did not have any Rhythm and as such couldn't continue with what looked to be an excellent game for a niche crowd. Instead, I played Shattered Memories, which went below my expectations given what I heard about it.

All the next games in the list, from #15 to #12, I have already played and enjoyed. Which is why I am jumping to #11, the very famous Xenoblade Chronicles. I actually played around 10 hours of that game, but when I lost 5 hours due to not saving the game, I stopped playing. This time, I am going to finish it. Except, I don't know which VA option to use.

Stay Tuned
Lord Spencer
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Re: The Official Wii and Wii U Gaming Thread

Post by Lord Spencer on Fri Nov 17, 2017 9:35 am


Game: Xenoblade Chronicles
Year: 2011.
Genre: Action JRPG.
Publisher: Nintendo.
Developer: Monolithsoft.

First things first, I am changing my rating system to better rate different genres according to their own rules. It will still be from 50 quality points, but every title will start from 25 and earn/lose points according to criteria important to the titles and genres themselves.

It's rare that a game comes along and so obviously entrance you in its grip. Not only with addictive busy work (which Xenoblade Chronicles certainly have its share off), but with a consistent sense of joy and wonder.

Simply put, I couldn't put away the game until I finished it. That I did not exactly it took 160 hours to do so is a testament to how much I enjoyed the game.

"What's born from the Bionis is returned to the Bionis. That's the way of the Homs. "

Right off the bat, the game outdoes all other RPGs in it imaginative and unique setting. The opening explains how two titans are locked in everlasting battle that stops at a standstill, with one titan losing an arm and the other barely keeping a massive sword from cleaving right through.

From the bodies of those two titans sprang life. In the Bionis, life is biological in nature, and in the Mechonis, it is mostly mechanical. The lifeforms living on those titans continued on their battle, and this is where the game comes in.

Millenniums after the titans stood still, the Mechons of the Mechonis laid waste to the various colonies living on the Bionis' battles actually taking place in the aforementioned massive sword. Shulk is the main character of the story, and he is defined through his friends and his ability to hold the Monado, the only sword able to effectively battle the Mechon.

Three things contribute to making a great story.

First, the setting is exceptionally unique. It first sets in when you go up from the Bionis's calf (where Shulk's home is) into his knee. At the Kneecap, you first catch a glimpse of the Mechonis, staring at the Bionis with what looks like cold rage; his eyes glowing in ominous red glow. It effectively establishes the scale of the two giants, and sets the game in a fantasy world unlike any other.

Second, the characters, while they can be considered to be lifted from well-tested archetypes, are executed well. You start the tale with a focus on revenge. However, the characters grow and develop through their long journey, and not even the cute mascot character is denied some development. This is shown more through improving the relationships between your characters and listening in to their Heart-to-Heart conversations.

Finally, the story does not stagnate at all and is not afraid of story twists; maybe a tad too many at the end. It has very good villains, especially the wonderfully evil faced Mechon (who add in a lot of personality to their mechanical actions), and the fact things may not be always what they seem.

Overall, with an excellent setting, great cast of characters, and strong storytelling under its belt; Xenoblade Chronicles will be forever a memorable experience to those who play it.

Great Setting: +5
Very Good Characters: +4
Very Good Story: +4
Too many twists at the end: -1

"It was the Monado. It was.... controlling me"

Xenoblade Chronicles gameplay can be divided into two parts. The combat, and the exploration, and both feed into each other.

Fro what I understand, its combat is similar to MMORPGs (which I never played). Basically, you control one member in a party of three and move around your enemies in real time while your party auto attacks. You are engaged in the battle through the utilization of arts, special abilities with a cool down period. Also, you position your character for the best utilization of arts, and occasionally interact with the other two part members.

It's incredible how much the combat builds up as you progress through the game. Most obviously, characters join that significantly change your approach to battle. Personally, I would recommend controlling all characters, as they are all fun to play with. However, the system expands near exponentially in some way. Introducing buffs, debuffs, special conditions, auras, visions, special moves, chain attacks, gems, and the bloody kitchen sink with it.

Overwhelming, is the adjective I would use if not for the excellent gradual development of the system  and the adequate tutorial manual (in game).

Outside of battle, to boost your performance you must gear up your party with equipment, gems, and skills. Gems add extra status to your equipment, like extra defense or the ability to regain health on damage. These can be crafted through a system that took too much time from me through the game.

Skills on the other hand are gained through natural progression and are nearly unique to each character. The twist is that skills can be shared with other members of the party based on your relationships. It is amazing how the game's various systems bleed into each other, with the affinity gained between your party members adding to their performance in battle, which in turn raises their affinity.

With all the various elements involved and the genuine fun of combat, when the challenge level is just right, the battle system can be simply amazing, leading to my biggest criticism regarding the game. The challenge level is rarely just-right. Frequently, it is either way too hard when facing over-leveled enemies, or way to easy when facing under-leveled enemies. If you are in any way a completionist, you will almost always be having an easy time, and the revers is true for those who are only interested in getting forward.

A simply difficulty slider could have went a long way in saving this issue. Otherwise, savor those rare battles with right amount of difficulty.

Very Good Expansive Combat: +4
A lot of Customization and Variety:+3
Lack Difficulty Balance: -3

"Grieve their departing, and engrave in your heart their brave deeds"

The other major gameplay component of Xenoblade Chronciles is the massive wolrd you are exploring and all the things you can do in it. It is indeed surprising how much there is to see in the Bionis's various body parts. However, wherever you are exploring, it is mostly related to more things to fight, and more loot to get.

As with any RPG, there are a number of quests to complete. Here, the majority of quests boil down to fighting enemies, and getting some items. Normally, that would be considered as a unilateral negative in a review. However, if its just an excuse to wander around the excellent world of the Bionis and play around with the combat system; how can it be a negative?

Wandering around the Bionis is not always a straightforward endeavor. Sometimes, beasts of unimaginable power patrol the place, and those can kill you in one shot early on. Still, it makes for an excellent return to the same location once you are strong enough to face them. It lends a natural feeling to the world, where Level 90 enemies coexist with Level 10 peons. Note that when you hear the "you are going to die" jig, the only tactic is to run like hell.

Not all quests involve combat exclusively. Some quests involve Shulk and co. in the lives of the various communities you visit. That feeds into the Affinity chart system, where named members of the world are all interconnected with one another, and their relationships evolve through your questing.

It adds another layer of involvement to the world, and it is fun to see the little map grow like a star constellation. Meaning that whatever you do in the game, it will have some benefit to your performance.

A Fun World to Explore: +3
The Affinity Chart System: +3
Lack of Things to Do Outside of Combat: -2

"Is that all you've got Monado booooy"

With everything it has going for it, from an amazing world, to a good combat system. It would all fall apart if this vision was not represented well on-screen, and with the Wii's modest capabilities in comparison to its two HD rivals, that was always a real threat.

Somehow, Monolithsoft managed to pull of some technical wizardry, because Xenoblade Chronicles is one of the best looking games of its generation.

That's mostly do to some superb art direction. In a purely technical basis, there a lot of muddy textures, especially regarding character faces. However, when everything is in motion, you are simply distracted in awe at the amazingly inventive world being presented.

I already mentioned the ominous feeling of the Mechonis staring at you in the field. However, that is simply a small taste of how much the world teems with such little details. Everything from a small village in a calf you can see from a distance, to another villageo on the palm of a giant's hand. Rock formations are impeccably designed, and when the night comes in some locations, the entire area sings with life.

That carries on to the design of the inhabitants, especially the mechon who are as elegant as menacing in their form. One negative I observed is the choice of costumes for your characters (changes based on Armor), which is in the ugly side, especially for Shulk.

Of course, an excellent soundtrack and sound design is there to support it. Gaur field is frequently cited as one of the best songs of the game, but that is a difficult one to choose when there are so much excellent choices.

Satoral Marshes at night is an amazing track, and so is Valak Mountain. Also, I could choose one of the more dramatic tracks that effectively convey a sense of danger or foreboding. Or, maybe a battle track that keeps you pumping into action. Whatever your choice is, this is one of those RPGs that you will come back to its soundtrack years later.

Finally, lets spare some thought to the game Voice Acting. One positive from the start is the ability to choose between the English version, or the Japanese Original. I alternated between both to test things out. In my opinion, the Japanese version of Dunban doesn't sound too good (not that I can understand, but the voice doesn't fit somehow). Fiora's VA in both English and Japanese has some pros and cons. However, Riki's English dub is all kinds of terrible. Every one else is purely a matter of minding the English accents or not.

Personally, I think outside of the repetitive battle chants, they do a pretty good job.

Excellent Art Direction: +5
Muddy Textures: -3
Excellent Soundtrack: +5
Poor Costume Design: -2

In Conclusion:

When Xenoblade Chronicles was released in Europe but not in North America, fans of Nintendo combined with such great numbers to convince Nintendo to change their mind. Little did they know that they were fighting not only for one of the best RPGs of the generation, but to one of the Wii's best.

Simply put, Xenoblade Chronicles is a great game. One that if anything, will at least influence the art direction of countless games in the future. Already, games like Bioware's Anthem are clearly inspired by what the Xenoblade team did in Chronicles and Chronicles X.

Outside of that its simply a great game in its own right. From setting to sound, it hits it all out of the park. Almost like if the batter could see the future of each pitch.

Final: 50/50


1- If you are looking for a rare drop fro a monster, then save BEFORE opening the chest. Open, and if you don't get what you want, load. Rinse and repeat.
2- Some monsters have spike effect that can cause you harm when attacking them. Two ways of dealing with it is equipping some preventive items and gems, or killing their Aura.
3- Take the time to smell the roses and do some quests.
4- Whenever you go to a new area, get all quests so that you don't have to double dip in the game.
5- To increase affinity between your party members, have them be in the same party, or just exchange gifts.
6- Talking to named characters at different times can yield different quests and some new affinity changes. Typically, the times are in multiples of 3.
7- Try and use all characters, its fun to play around with all of them.
8- Always keep weapons that can damaged the Mechon, if you have much stronger weapons.

"Next Game"

I am so glad I went back and played this game now. I waited for it for a long time when it was first released, but I stopped playing it when I lost around 6 hours of gameplay. Now, I cam back to it for the express purpose of reviewing it as part of this review series, and I do not regret it at all.

Next game in the series is an innovative little treasure. Aptly named, Little King Story which sits at #7  in the Gamesradar list. Its basically a juxtaposition of genres together in a package that became a cult hit. I think this is one game I would either dig, or not get at all.

Stay Tuned
Lord Spencer
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Re: The Official Wii and Wii U Gaming Thread

Post by Lord Spencer on Fri Apr 13, 2018 5:00 pm


Game: Little King's Stroy
Year: 2009.
Genre: Real Time Strategy.
Publisher: Rising Star Games, Xseed Games, Marvelous Entertainment.
Developer: Cing, Town Factory.

First things first, I am changing my rating system to better rate different genres according to their own rules. It will still be from 50 quality points, but every title will start from 25 and earn/lose points according to criteria important to the titles and genres themselves.

Little King's Story was an unassuming release in the Wii's library that caught the few who played it by surprise. What was a quirky and childish-looking strategy game turned out to be a diabolical masterpiece.

At so many levels, Little King's Story is a perfect example of the best games on the Wii. Something unique and innovative while having unmistakable depth.

There is no two ways about it, this is one of the generation's best games. One which is in no way perfect, but is more iconic due to its imperfections in an otherwise wholly unique package.

"I am more noble than you, he is more noble than me. The rich are more noble than the poor. The hard working are more noble than the lazy. Then who is the most noble of them all?"

From the first notes of music, when you hear Ravel's distinctive Bolero notes, you realize that this game is either making a big show of things, or it truly is going to deliver something interesting and unique.

You control the King of Alpoko, a child who wandered into a mythical kingdom and became its king. As the king, the head honcho, you become responsible for building up your kingdom, by of course, going to war. Supported by a bunch of self-serving advisors, you are pushed to go an conquer the other domains from both nature and other kings, and of course, save some princess (who all become your wives).

It is clear that nothing is what seems in the surface, and that the game tackles a variety of topics with both a satirical and wondrous eye. No two people would agree on the underlining symbolism in the game, and that's what makes it great. Little King's Story is a game rife with symbolism, but at no point does it beat you in the head with a "right" answer.

Instead, you are just living the game, sharing the wonder your child protagonist must feel, and at the very least enjoying the hilarious parts of the story.

From interactions with the supporting cast and the conquered kings, to your conversations with the any citizens that form both your army and government, there is always something either funny or thought provoking to read.

The gibberish language only adding to the style and the childish lens.

Very Good Characters: +4
Great Story: +5
A Lot of Symbolism: +3

"One fine morning in the Kingdom of Alpoko, a tattered flag raised above a ruined castle fluttered the wind"

Regardless of how good the story and wondrous setting of the game is, it wouldn't work without some equally good gameplay. Thankfully, Little King's Story provides something that is both satisfying and challenging.

If I am going to explain the gameply, I would say the closest to it would be Nintendo's Pikmin games. Like with Pikmin, you control a central character that controls an army of sorts. Initially starting with just the ability to control five citizens, the king can then control up to 30 of them.

Like with Pikmin, the crux of the game-play is in maneuvering with your army and then throwing them at obstacles and enemies. The strategy is in organizing an army with different jobs and utilizing them well.

Each job is useful in one-way or another, from typical soldier to carpenters and miners. One job is only useful for efficiently cooking chicken (which is much more useful than its sounds). Generally, battles are an exercise of switching jobs, sending citizens at the enemy, changing formations, and frantically avoiding attacks.

It can be extremely chaotic if you don't understand what you are doing, but is actually well-controlled if you take the time to understand the system. That is something I strongly recommend that you do, because the game can be deceptively challenging .

You find yourself building relationships with your citizens, and when some strong enemy starts massacring them, you will lose your calm, as their cries of death blame their fate on you poor command.

Most of the time, defeat is due to the player's own lack of preparation or competence. However, the game sometimes seems very cheap in introducing insta-kill moves, which if you didn't know about will surely know when you see half your army go to the four bloody winds with one swipe; forever disappearing from your town.

Other times is when the game's control scheme loses focus. I don't know if the fault is in my own Wii set-up r the game's, but there has been frequent instances where the game didn't control accurately enough. Sometimes, one button press would register as two, and instead of changing to my soldiers I would fling some poor kids at a dragon.

Saving often, and avoiding doing much before crucial battles is important to keep your calm. With bosses, dying will give you the ability to restart the entire fight with all of your army intact. This means the problem is still there, but is at least with a lesser impact.

Good Expansive Combat: +4
Some Technical Issues:-4
Some Cheap Difficulty: -2

"Having sought the true king for 35 years, I am getting a bit emotional and teary-eyed"

Outside of the first few hours, the game gives you little direction of how to spend each day, and basically leaves you at your own leisure about how to go and conquer the world. The main gameplay loop is to go explore the world, collect some loot, do some quests, and spend all that money upgrading your kingdom.

Upgrading the kingdom gives you more citizens to control, more equipment to give your army, better health, and more jobs to choose from. You then take those upgraded citizens and do the same thing all over again.

It is an effective system that always gives you a sense of progress, culminating in one of some brilliant boss battles.

And so, with each passing day, you see how the Kingdom of Alpoko expands, and you see how your citizens react to your orders. One Jumping Jacks decree (which raises the max health of each citizen) will see some of the citizens practicing it while you walk around.

That sense of having fun just walking about is all what the game itself is about. As you rescue more princesses, they give you special tasks. One princess asks you to collect the tunes your citizens hum at night. These are badly sung renditions of classical thees such as Beethoven' 9th or the Moonlight Sonata.

In itself, it is a weird sidequest. The fact that once you uncover one person humming the song, you then see others who learned it humming it is what makes it so fun. I had an evening with my mum, getting her to try and guess these badly hummed songs are renditions of which classical music pieces.

Addictive Gameplay Loop: +2.5
Fun World: +2.5

"Princess Apricot is so kind. She let me lick it the other day..."

Being on the Wii, Little King's Story is not exactly a graphical marvel. However, even with the Wii's standards, the game looks worse than counterparts such as the Pikmin series. What it lacks in graphical power, it makes up for with stylistic choices though.

Starting with the "cut-scenes", which are are designed like some moving water color painting with animated brush strokes, to the super deformed chibi-looking king and citizens. This is a game that has a lot of personality in its colorful choice of graphics, and that works more often than note.

Even in the middle of the most chaotic of battles, you can recognize what each of your citizens is doing from the distinctive shapes of their hats and the equipment you game them. If someone is equipped with a pillow weapon, they will be carrying a pillow to battle.

The true star of the art production department is the soundtrack though. With a remix of classical themes from Beethoven, Mozart, Brahms and even more modern classical artists like Dvorak and Gershwin, this is of course going to be an excellent soundtrack.

However, this doesn't mean that the soundtrack rests on the brilliance of its free source material. No, these themes and melodies are expertly remixed into shorter versions, and the sound direction is impeccable in how they are used.

More importantly, the game doesn't lean on the more well-known tracks, and actually gives an effort in exploring a wide repertoire of classical music, showing a love and respect for the source material that carries obviously into the game itself.

Good Style: +3
Excellent Soundtrack: +5

In Conclusion:

It is not easy to review a game like this. If you take all the parts, you will write a review suggesting that each part is really really good. However, it is actually difficult to explain how the final result is even greater than the sum of its parts.

The best I can say is that Little King's Story was a criminally underappreciated game, one which had all the elements of being a classic, buried deep into an unassuming package that many glossed over.

Hope we don't make such a mistake again with another gem like it.

Final: 48/50


1- Always carry a farmer with you to boss battles.
2- For boss battles, Soldiers and Hunters should be the majority of your troops.
3- When simply exploring, get at least one of each non-fighting job.
4- You can produce children by throwing your army int church and getting them married.
5- Children can climb trees.
6- If too much of your citizens die, they won't come back.
7- Dragon enemies (and enemies carrying dragon tails) can one-kill your citizens.
8- Frogs can insta-kill as well.

"Next Game"

That was another great Wii exclusive, one that was completely ignored by the 100 Million Wii owners, many which complained about the console collecting dust while a masterpiece was in front of their eyes. Life can be unfair sometimes.

Next game to be reviewed is another ignored title, the first No More Heroes game. The second No More Heroes game sits at #5 in Gamesradar list, but I am reviewing the first game before it. This is one game that I apparently should not play in the living room of the house.

Stay Tuned
Lord Spencer
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Re: The Official Wii and Wii U Gaming Thread

Post by Lord Spencer on Wed Jul 04, 2018 8:05 pm


Game: No More Heroes 2.
Year: 2010.
Genre: Action Adventure.
Publisher: Marvelous Entertainment, Ubisoft.
Developer: Grasshopper Manufacture.

First things first, I am changing my rating system to better rate different genres according to their own rules. It will still be from 50 quality points, but every title will start from 25 and earn/lose points according to criteria important to the titles and genres themselves.

While not a commercial success, the first No More Heroes game was an instant cult-classic. It resonated with fans of the weird and unique Double AA games that were a staple of the Game Cube and PS2 era.

It is natural that a sequel to such games is rarely straightforwardly received. Fans are usually more critical, and more specific in their love for the game, and that is difficult to carry over in a sequel.

Which is why there will never be a consensus that No More Heroes 2 is better than its predecessor, despite that being the case.

"Just sit back Sylvia, and watch me raise hell"

NMH2 picks up a little after the first game ended. Previously becoming the first ranked assassin in the United Assassins Association, Travis Touchdown left all his glory behind and disappeared into the wild. In that time, an evil organization took control of his city, Saint Destroy, and somehow managed to rope Travis back into the ranked assassins battles in a "classic" revenge tale.

Except, there is nothing "classic" about how NMH2 operates. Take the evil organization for instance. It's a pizza corporation whose CEOs Travis killed in throwaway missions in the last game. Elsewhere, you get a mishmash of pop-culture references and styles that should fail to mix at any level, and yet somehow wildly succeeds.

At its core, this is no different than the first game. However, it manages to outdo it in every regard by taking everything up to eleven.

Most obvious is the general sexiness and lewdness of the game. If the first NMH was the top button missing, then NMH2 is a fully-exposed cleavage and then some. Somehow, the game manages to install a teasing sensuality to its every cutscene, mingling sex with violent bloodlust, confusing both Travis and ourselves.

Here, the violence of the game is often parodied, and our gratification ridiculed. Yet, it's not by relying on that parody that the game succeeds.

No, those are stylistic elements that can only go so far and could work against the game is exclusively relied upon. Instead, Travis actually grows as a character in this game, and the game shows, dare I say, some much-needed heart to it.

Better Story: +4
Excellent Sense of Style: +5

"Hold it you violence loving bastards!"

If it's not broken, don't fix it, and that's exactly what the sequel does to the very good combat system of the original. In effect, the game still employs the same hack & slash, with high and low attacks as well as all the other evasive and attacking moves.

What it does is incrementally improves the system.

Everything feels tighter to the press, with some of the unreliability of the first game ironed out. Attacks feel tighter, and while the combat is a little slower, you get more control as a result. One massive improvement is in how grapples are now instant kill moves, which doesn't make them useless and continues the flow of combat.

In the first game, the bosses were a highlight, and that doesn't change here. With more of them, we can forgive the few duds, especially since there are some seriously varied and fun fights that showcase the best of the fighting system.

Additionally, two different styles of gameplay were introduced with two new beam katana weapons, one which is just going to be the dominant style to use. A better system would have employed faster weapon switching (maybe even switch combos), but that's just an extra wish.

Good Exciting Combat +3
Very Good Boss Battles: +3

"Chicks love bug killers, even more than doctors and pro-athletes, it's a little-known fact"

One of the major complaints I had with the first game was its pointless "open world" and boring mandatory mini-games. Both have been wonderfully addressed.

First, the open world was scrapped in place of a simple map menu. That's more efficient use of your time. Second, the mini-games are no longer mandatory, but they became increasingly unique and fun to play, with financial awards and optional ability upgrades as a further incentive to play them.

Even without that incentive, these mini-games would be a lot of fun. Starting with the weird cat exercise game, it looks like they would only be a weird distraction. However, the mundane jobs are back, from bug catching to pizza delivery. Except, this time, each mini-game is nearly a fully fledged 8bit retro sample game.

Nearly each one of them is both challenging and satisfying by itself, but the availability of so many options makes for an interesting downtime between the game's levels. It is a significant improvement over the original in almost every way.

Excellent Mini-Games: +4

"He sliced me in half, sure, but he did it with gentlemanly grace"

What did not dramatically improve over the original is in its production department, with step upgrades at best, and some downgrades as well.

The game still retains its cool cell-shaded look, and enemy and character design are as good as it always has been. Yet, with increased combat, you see more of the same assets beings used, including repeating fodder models in bigger fights.

NMH has always hidden its lack of graphical muscle behind its amazing sense of style, and it mostly succeeds in the graphical department, except when you blot it up in larger TVs. Ultimately, the art direction is more important than raw graphical power.

The same cannot be said regarding the game's poor soundtrack, which is a step lower than the poor soundtrack of the last game, which was repetitive but decent. Here, at its best, it's repetitive, and inconsequential most of the time.

Besides the retro tunes in the mini-games, I struggled to connect with any of the game's tunes, even suspecting that I had the music volume at its lowest value at some point (I didn't).

Stylistic Grpahics: +4
Bad Soundtrack:-4

In Conclusion:

I liked NMH, but couldn't bring myself to love it. I cannot say that I love NMH2 either, but I can imagine myself having fond memories of the game. It is a solid improvement over the original while retaining the style that made it a cult-classic in the first place.

While I felt the first game reveled in being shocking and weird just for the sake of it, this is a game that starts out more shocking and weird but grounds itself in better characterization all around.

That, and with a massively improved mini-game collection, are two major reasons why I am firmly in the camp of the sequel.

Final: 44/50


1- Play with the cat after every mission to unlock one of the game's best moves.
2- If nothing else, play the fitness mini-games to improve your health and damage.
3- Keep guard to block enemy bullets.
4- for boss battles, try charging an attack to try and interrupt a boss mid-move. It works especially well (REQUIRED) in the final fights.
5- USe your grapples often, they are instant-kill moves now.

"Next Game"

I can understand why some would still say the first NMH is better, but I cam firmly in the camp of the second game, which doesn't sacrifice the spirit of the original but improves on it in noticeable ways.

Next game on the list is actually my final Wii Review based on the Gamesradar best Wii games list, and it's Sin and Punishment: Star Successor which #5 in that list. The reason it is the last game to be reviewed is that already played the top 4 games before. After this review, I will review two more games on the Wii that I didn't get the chance to play before, and then finalize my Wii review series for good.

Stay Tuned
Lord Spencer
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